Art Institute of Chicago, The Art Institute of Chicago: Twentieth–Century Painting and Sculpture, selected by James N.
David Frankel, Masterpieces: The Best–Loved Paintings from America’s Museums (New York: Simon & Schuster).Peacock, Art as Expression (Washington, DC: Whalesback Books, 1995). Patricia Trenton, Sandra D’Emilio, Independent Spirits: Women Painters of the American West, 1890–1945 (Autry Museum of Western Heritage/University of California Press, 1995).Mary Ann CAws and Christopher Prendergast, The HarperCollins World Reader (New York: HarperCollins Publishers, 1994.Arnold Skolnick, ed., Paintings of the Southwest (New York: Clarkson, Potter Publishers, 1994, 13 ill.Eldridge, Georgia O’Keeffe: American and Modern (New Haven and London: Yale University Press, 1993, 199, fig. Mich.ke Venezia, Getting to Know the World’s Greatest Artists: Georgia O’Keeffe (Chicago: Children’s Press, 1993).
Elizabeth Montgomery, Georgia O’Keeffe, (New York: Barnes and Noble, 1993), 118 ill. Horowitz, More Than You See: A Guide to Art (Fort Worth, London: Harcourt Brace Jovanovich, 1992). Robert Hughes, “Eyeball and Earthly Paradise,” Time (October 1976). Georgia O’Keeffe, Georgia O’Keeffe, New York: A Studio Book, Viking Press, 1976, pl. Ron White, “Georgia O’Keeffe: Landscape of the Mind,” San Antonio Express–News, November 9, 1975, 7H ill. Abstract Painting,” New York Times, September 30, 1975, 34. “Georgia O’Keeffe: Landscape of the Mind,” Bulletin of The Art Institute of Chicago Bulletin, 64, 5 (November 1970). Journal of the American Association of University Women, 45, 2 (1952). Denys Sutton, American Painting (London: Avalon Press, 1948), 27, pl. Mabel Dodge Luhan, Taos and Its Artists (New York: Duell, Sloan and Pearce, 1947). 
Daniel Catton Rich, “Exhibition of Paintings by Georgia O’Keeffe,” Bulletin of the Art Institute of Chicago, 37, 2 (1943), 17–20. eds., America and Alfred Stieglitz, (New York: The Literary Guild, 1934), pl. Waldo Frank, Lewis Mumford, Dorothy Norman, et al. “The Paintings of Georgia O’Keeffe in Taos,” Atelier, 101, (June 1931), 440 ill. Mable Dodge Luhan, “Georgia O’Keeffe in Taos,” Creative Art, 8, 6 (June 6, 1931) p. Made 1929 Medium Oil on canvas Dimensions 99.1 × 76.2 cm (39 × 30 in.) Credit Line Art Institute Purchase Fund Reference Number 1943.95 Copyright © The Art Institute of Chicago Extended information about this artwork Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status On View, Gallery 265 Department Arts of the Americas Artist Georgia O'Keeffe Title Black Cross, New Mexico Place New Mexico (Place depicted) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. The Art Institute organized her first major museum retrospective in 1943, and purchased this painting at the time. O’Keeffe’s cross paintings helped cement her association with New Mexico, to which she would return every summer until she moved there permanently in 1949. In Black Cross, New Mexico, she contrasted the handmade cross, magnified in scale and isolated flat against the picture plane, with the distant brilliance of the sunset behind the rolling hills. American artist new mexico scenery series#
“For me, painting the crosses was a way of painting the country,” recalled Georgia O’Keeffe about the series of compositions featuring Catholic crosses that she created upon visiting the Southwest in 1929.
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